Let’s take a moment out of our day to discuss current queen of all things ass, Nicki Minaj (Miley Cyrus get the fuck out). She catapulted into the center of pop culture after a guest verse on biggest hipster in the world Kanye’s “Monster,” and has been there more or less ever since, reminding us that she has a big butt by talking about it non-stop. And by shaking it a whole lot in every music video she does. Sometimes she raps in weird voices, but mostly she just shakes her ass and talks about the pros and cons of having lots of booty.
This really wouldn’t be of any concern to us at Hipster Jew normally. We’re content to stay in our corner, which is talking about hipster garbage, and ridiculing anyone caught making a Hitler reference or people that get outed wearing SS uniforms for Halloween. So we really don’t care about Nicki Min–
Oh! Oh. Okay. I guess we’re going there.
So here we have a music video director taking a song about sex, and transforming it into some odd amalgamation of hip hop meets “Triumph of the Will.” I assume he had free reign to make the video however he wanted, after all, only artists are so obsessed with form and style that they would take a film like “Triumph” and admire it, get inspired by it, and then slavishly imitate it, while wholly disregarding the context. it’s something a film student would do after smoking a shitload of weed and then deciding to model his final project after a Reifenstahl piece.
But the degree of replacement imagery that’s in the video leads me to think that the director did this with full knowledge of the context. The whole thing: Nicki’s bent over ass pose replacing the Nazi eagle, Chris Brown as the surrogate Mussolini right hand man, the Young Money logo redesigned to take the place of the swastika, all calculated for clicks and pageviews. The whole thing is asking for a Twitter shitstorm, and since the director is retweeting but not talking to or engaging the people talking about it, it’s going to get one. And now even a small blog like HipsterJew is talking about it. Mission Accomplished.
Here’s the only part I don’t get though: Why is Drake the Pope? It feels tacked on. You couldn’t make him Goering or someone? Just… it doesn’t fit. I like my Third Reich tributes to be professional, you know? Shoehorning the Pope in to make some sort of tangential point reeks of amateurism.